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Uninvited: Classical Hollywood Cinema and Lesbian ~ Uninvited: Classical Hollywood Cinema and Lesbian Representability (Theories of Representation and Difference) [White, Patricia] on . *FREE* shipping on qualifying offers. Uninvited: Classical Hollywood Cinema and Lesbian Representability (Theories of Representation and Difference)
Uninvited: Classical Hollywood Cinema and Lesbian ~ Uninvited: Classical Hollywood Cinema and Lesbian Representability Theories of Representation and Theories of representation and difference Uninvited: Classical Hollywood Cinema and Lesbian Representability, Patricia White: Author: Patricia White: Edition: illustrated: Publisher: Indiana University Press, 1999: ISBN: 0253213452, 9780253213457 .
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Uninvited : classical Hollywood cinema and lesbian ~ Webcat Plus: Uninvited : classical Hollywood cinema and lesbian representability, Lesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s together with all forms of 'sex perversion.' Through close readings of gothics, ghost films, and maternal melodramas addressed to female audiences, "Uninvited" argues that viewers were .
Uninvited : Classical Hollywood Cinema and Lesbian ~ "Conspiratorial and witty, Uninvited is a mischievous invitation to dissect classical cinema by someone who wields the razor with glee." -OUT Magazine Lesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s, together with all forms of "sex perversion."
Uninvited: Classical Hollywood Cinema and Lesbian ~ She is the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability, coauthor of The Film Experience, and co-editor of Critical Visions in Film Theory. She has worked extensively with Women Make Movies and the journal Camera Obscura: Feminism, Culture, and Media Studies.
Uninvited: Classical Hollywood Cinema and Lesbian ~ Uninvited: Classical Hollywood Cinema and Lesbian Representability: White, Patricia: 9780253213457: Books . She draws on all of the major figures in feminist film theory, if only to chastise them for ignoring the lesbian spectator. . I was doing my dissertation on Lesbian representation in British cinema, I think I must of taken this book .
Uninvited Classical Hollywood Cinema and Lesbian ~ Uninvited: Classical Hollywood Cinema and Lesbian Representability (Theories of Representation & Difference) (Theories of Representation and Difference) White, Patricia Published by Indiana University Press (2000)
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Uninvited: Classical Hollywood Cinema and Lesbian ~ "Conspiratorial and witty, Uninvited is a mischievous invitation to dissect classical cinema by someone who wields the razor with glee." —OUT Magazine. Lesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s, together with all forms of "sex perversion."
Genders OnLine Journal - Hollywood Lesbians: Annamarie ~ Uninvited: Classical Hollywood Cinema and Lesbian Representability. by ANNAMARIE JAGOSE [1] JAGOSE: Given the Motion Picture Production Code's determination to corral "sex perversion" outside the cinematic field of vision, classical Hollywood cinema might not seem a promising archive for the consideration of lesbian representability.
Hollywood Lesbians: Annamarie Jagose interviews Patricia ~ [1] JAGOSE: Given the Motion Picture Production Code’s determination to corral “sex perversion” outside the cinematic field of vision, classical Hollywood cinema might not seem a promising archive for the consideration of lesbian representability.
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Uninvited: Classical Hollywood Cinema and Lesbian ~ Lesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s together with all forms of 'sex perversion.' Through close readings of gothics, ghost films, and maternal melodramas addressed to female audiences, "Uninvited" argues that viewers were 'invited' to make lesbian 'inferences.'
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Annotated Bibliography: Lesbians and Cultural Issues in ~ However, her analysis is missing a consideration of race within classic Hollywood films and representability – in fact she briefly (and falsely) suggests that race and sexuality are fully separable within her readings. For further information, see: White, Patricia. Uninvited: Classical Hollywood Cinema and Lesbian Representability.
Cold War Femme: Lesbianism, National Identity and ~ " Patricia White, unInvited: Classical Hollywood Cinema and Lesbian Representability (Bloomington, IN: Indiana University Press, 1999). 2 " Amy Villarejo, Lesbian Rule: Cultural Criticism and the Value of Desire (Durham, NC: Duke University Press, 2003), p.
The B Word: Bisexuality in Contemporary Film and ~ critical bisexuality theory does, that “film’s images might have the power to break or smash ‘sacred’ images of sexuality, offering us other possibilities of intimacy—even if unnamed as such.”iv In UnInvited: Classical Hollywood Cinema and Lesbian Representability, Patricia White
The B Word: Bisexuality in Contemporary - cinema.ucla.edu ~ 5. Patricia White, UnInvited: Classical Hollywood Cinema and Lesbian Representability (Bloomington: Indiana University Press, 1990), 1. See Terry Castle, The Apparitional Lesbian: Female Homosexuality and Modern Culture, New York: Columbia University Press, 1993.
Critical Visions in Film Theory / Edition 1 by Timothy ~ She is the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability and is completing a new book on global women's filmmaking in the twenty-first century. With Timothy Corrigan, she is co-author of The Film Experience and co-editor of Critical Visions in Film Theory: Classic and Contemporary Readings.
Women’s Cinema, World Cinema : Projecting Contemporary ~ Patricia White is Professor of Film and Media Studies at Swarthmore College. She is the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability, coauthor of The Film Experience, and coeditor of Critical Visions in Film Theory.She has worked extensively with Women Make Movies and the journal Camera Obscura: Feminism, Culture, and Media Studies.